1980. A small village in the Urals. Little Vitya learns that a newborn calf will forget its mother tomorrow. He decides to bring the calf back to his mother to another village at any cost. Yegor, Vitya’s elder brother, can’t let his younger one go alone. So, without telling his parents, the children go on a trip.
Moscow, 2020. The media warn that a dangerous meteorite will soon sweep near the Earth at great speed. But the wealthy restaurateur Vadim does not care, more
Moscow, 2020. The media warn that a dangerous meteorite will soon sweep near the Earth at great speed. But the wealthy restaurateur Vadim does not care, so he does not change his plans and hurries to celebrate the purchase of a new establishment. On the way to the restaurant, Vadim calls his friend Nina to invite her to a banquet. But due to a time anomaly associated with a meteorite, another Nina, a thirteen-year-old girl who is dying of starvation in cold Moscow in 1942, picks up the phone on the other end. close
With a cheeky, down-to-earth charm that appeals to both children and adults, the series – beginning with 'Vinnie-Pukh (1969)' – has since developed something more
With a cheeky, down-to-earth charm that appeals to both children and adults, the series – beginning with 'Vinnie-Pukh (1969)' – has since developed something of a cult following, and are considered by many to decisively surpass their Disney counterparts, however uneasily they may fit into the official canon. The animation itself is somewhat coarse and minimalistic, but this all adds to the charm of it all, with the story and characters coming to life as though they have just stepped out of a picture book. close
A Soviet cult cartoon, so untypical for a Western viewer, especially, a little one. A boy named Malysh ("A Little One") suffers from solitude being the more
A Soviet cult cartoon, so untypical for a Western viewer, especially, a little one. A boy named Malysh ("A Little One") suffers from solitude being the youngest of the three children in a Swedish family. The acute sense of solitude makes him desperately want a dog, but before he gets one, he "invents" a friend - the very Karlson who lives upon the roof. So typical for the Russian culture spirit of mischief, which is, actually, never punished, and the notion that relative welfare not necessarily means happiness made the book by Astrid Lindgren and its TV adaptations tremendously popular in the Soviet Union and nowadays Russia and vice versa - somewhat alienated to the Western reader and viewer (see User's comments below). However, both the book and the cartoon are truly universal - entertaining and funny for the children and thought-provoking and somewhat sad for grownups. close