In general, it is unusual to watch: it seems that the plot of memories of a real terrorist attack assumes a documentary genre, but the film is both artistic, and at the same time saturated with real facts about the real tragedy. In general, this is a good attempt to get a conceptual film characterizing the post-traumatic experience
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In general, it is unusual to watch: it seems that the plot of memories of a real terrorist attack assumes a documentary genre, but the film is both artistic, and at the same time saturated with real facts about the real tragedy. In general, this is a good attempt to get a conceptual film characterizing the post-traumatic experience of the individual as life after the explosion, consisting in the intentional or involuntary collection of fragments that will never fold into the original unity, but rather will further injure the person whose protective walls were destroyed, and no one could build new ones for 17 years. The openness and defenselessness of Natalia, whose soul is only exposed by her nun clothes, creates a complex character that fills the possible shortcomings that you will see in this film.
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