Events occur in the summer, there are many of them and they are all tampered with in a very short period of time. That's a big stretch.
The life of friends "before" is cut off from life "after" in the sense that they all become "other" in one jump (to speak in the large Hamburg account, without going into details). This is unlikely,
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Events occur in the summer, there are many of them and they are all tampered with in a very short period of time. That's a big stretch.
The life of friends "before" is cut off from life "after" in the sense that they all become "other" in one jump (to speak in the large Hamburg account, without going into details). This is unlikely, especially in a small provincial town.
Callous to his father, police officer Yura suddenly falls in love with Luda, although he knows from the inside who she is in the most recent past. I don't really believe it.
Sinister Danila walks through the film as a wolf. It's got too much paint on it. There is a feeling that the director drew him by the ears in his “series” from the film about the fascist invaders of the Second World War.
Anton, who is not bad in character (at the same time, his voice is not put in an actor, sounds faint and monotonous), is seriously wounded with a knife, but the physical and other consequences for the guy in the film somehow “knock”, while the boy Roma honestly carries a cast in several series.
Jeanne behaves "perpendicular" to friends, which is why she gets into severe troubles. She does stupid things and at the same time is a leader in the eyes of the girls (and even the pimp Valera) - there is a clear contradiction in the logic of the plot, but in fact this contradiction is mainly fueling the film.
The criminal in the film (MarikAndCo, Danila with bandits, Valera's pimp) firmly presses four girls who have no money behind their souls. But they are not oligarchs, timid filmmakers, come to your senses - but this storyline is strongly pedaled in the film, so it is perceived with a huge stretch of credibility.
The son of Jeanne would be useful to do a suitable boy haircut, but his mother (alas) has no time.
In acting, it is difficult to praise anyone, they played more or less tolerable. In general, true acting is not enough, mainly scene-engines, it is not particularly important there.
And the obscene film is very salty.
Filming is generally not bad for such a poor nature (small location). The local color is well conveyed. The display of the provincial hinterland in general is successfully combined with modern operator effects.
In short, it is for the night - you can shoot, it will roll to seven, you can see the continuation if a more interesting kin does not appear at this point.
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