The promising teaser trailer, compared to Matthew Barney’s Cremaster in the press, seemed like a movie not to be missed. In the end, the film left the impression of deep dissatisfaction with almost everything, except, perhaps, the soundtrack. The idea is good, but it is not very clear why it was necessary to “smear” a simple plot for
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The promising teaser trailer, compared to Matthew Barney’s Cremaster in the press, seemed like a movie not to be missed. In the end, the film left the impression of deep dissatisfaction with almost everything, except, perhaps, the soundtrack. The idea is good, but it is not very clear why it was necessary to “smear” a simple plot for an hour: all the time I wanted to put into action some dynamics, add here, twist here. With the technical performance, for example, it is quite indecent to look close-ups of the lips, which never fall into the lyrics of the songs. In general, there is no plot-appropriate baroqueness, no layered visual series, no drive. . .
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