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A flag with a black swastika over the city. Shots fired. Raids. Leaflets. Underground safe houses. . .
The authors from the very first shots introduce us to the disturbing situation of the city occupied by the Nazis. In the center of their attention is the brave Komsomol Zoya Rukhadze, a scout, a partisan liaison, the heroine of the Simferopol underground. All the things that we already know in many movies, and therefore are easily, perhaps even too easily, recognized – passwords, leaflet posting,
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