If Balabanov was a Frenchman, maybe he would shoot something like this. However, "Cargo 200", for all the uncompromising cruelty of the plot, in fact, made a much better impression on me at the time. Although there the camera was not spinning in the air, as if fixed on a quadcopter controlled by a drunk, and the picture in some places
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If Balabanov was a Frenchman, maybe he would shoot something like this. However, "Cargo 200", for all the uncompromising cruelty of the plot, in fact, made a much better impression on me at the time. Although there the camera was not spinning in the air, as if fixed on a quadcopter controlled by a drunk, and the picture in some places did not hit the eyes with a strobescope. I didn’t know “Full Inversion” was a directorial remix, thinking it was such a subtle oxymoron, so I probably wouldn’t understand the charms of the original version. In this film, I saw the director’s strong claim to the greatness of the plan, but neither the eroticism on the border with porn, nor the painfully long scene of the rape and subsequent beating of a beautiful woman, nor the “disclosure of the characters” of her beautiful primate and intellectual nerd, nor other moments seemed convincing enough to get out of the chair and shout “Bravo!” Too bad. By the way, if I were Mr. Noe, I would make a third film, where I would tell the story from the point of view of a man who escaped from the red crossing, who became a casual witness to the massacre of another witness. It might be interesting.
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