More on what principle? In terms of saturation, quality, time interval? Of course, in part, "Good Jokes" has changed. In modern language, there was an upgrade. But not that much. And there was something to improve, in terms of script, of course. Some jokes still remained unfinished, contests too, as well as dossiers and tips. But the
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More on what principle? In terms of saturation, quality, time interval? Of course, in part, "Good Jokes" has changed. In modern language, there was an upgrade. But not that much. And there was something to improve, in terms of script, of course. Some jokes still remained unfinished, contests too, as well as dossiers and tips. But the beloved and funniest round, Apoge, is in its place. Heroes seem to be a little out of place, not fully revealed (for example, I know that Chumakov can perfectly decorate the show with humorous overtones). What else? It was not worth clinging to the introductory part, especially since it does not carry the same semantic load as the main one. And not good enough to give her that much airtime.
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