Fourteen-year-old Sonya unexpectedly learns that her mother lied to her about her father's death for many years, and forbade him to communicate with her daughters. Unable to forgive such a betrayal, she runs away from home. Mother and older sister Sasha find Sonya at their old dacha, where no one has visited for many years. Three women are forced to finally talk through all the problems, grievances and fears that have been so carefully hushed up for years. This begins the long journey of restoring family ties.
This film is the debut of Svetlana Samoshina, for this tape she received
45- Moscow International Film Festival the main prize in the section: "Russian premieres" - St. Silver George. The script was written by a very respected screenwriter and director Natalia Meshchaninova, she has excellent scripts for the films “Snow” and “Arrhythmia”,
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This film is the debut of Svetlana Samoshina, for this tape she received 45- Moscow International Film Festival the main prize in the section: "Russian premieres" - St. Silver George. The script was written by a very respected screenwriter and director Natalia Meshchaninova, she has excellent scripts for the films “Snow” and “Arrhythmia”, and from her recent directorial works I want to note the strong work: “One Little Night Secret”, who did not watch, I highly recommend. “The Edge of the Broken Moon” turned out to be a chamber psycho-drama with “relationship anemia” and a certain syccativ and dysphagia of the dialogue component. The film reminded the best techniques of Bergman and his masterpiece film “Autumn Sonata” (1978) with Ingrid Berman and Liv Ullman (be sure to watch this film to compare the spiritual file and vector). In "...a broken moon" a magnificent trio of women's works, especially Victoria Tolstoganova, in peak scenes she gave a couple of geniuses. Moments. But Maria Lobanova and Anna Shepeleva also looked Decent. The film in the second half turned out to be affective, impulsive, temperamental and expansive, sangive. I really liked the movie. I watched in one breath. 9/10. I recommend Kata Bogdanova (you love Tolstoganova very much, she is great here). Anyone with a daughter in the family should watch. Points to certain arrow thoughts.
Boris works as a geography teacher in an ordinary Khabarovsk school. His life is pretty routine. In addition to the school and the garden, Boris has a more
Boris works as a geography teacher in an ordinary Khabarovsk school. His life is pretty routine. In addition to the school and the garden, Boris has a son, Misha, with whom they have been communicating less and less lately and have become distant people for each other. Everything changes when Misha gives his father his old smartphone for his birthday. Boris begins to understand the phone and registers in social networks. Accidentally, Boris adds one unfamiliar woman named Nadezhda as a friend. An active correspondence is tied up, which subsequently becomes fateful. At one point, Boris decides to go to Nadezhda in the Moscow region to surprise her. He persuades his son, who is engaged in hauling cars, to take him with him on a trip. During a joint trip through all of Russia, old conflicts between father and son are revealed, the reasons for their separation from each other are clarified. close
Overcoming the midlife crisis and experiencing an internal shock, sports news anchor Egor Tikhonov becomes a volunteer, he helps mothers of sick children more
Overcoming the midlife crisis and experiencing an internal shock, sports news anchor Egor Tikhonov becomes a volunteer, he helps mothers of sick children in the cancer ward, searches for lost people together with "Lisa alert". gradually finding a new life, Egor begins to lose the old one: he loses his job, almost divorces his wife. and more and more often he asks himself if he is a strong enough person to go his way to the end. close
Sixteen-year-old Zhenya, whom everyone calls Tin, fully justifies her nickname - she is gesticulating and destroys relationships with everyone around more
Sixteen-year-old Zhenya, whom everyone calls Tin, fully justifies her nickname - she is gesticulating and destroys relationships with everyone around her. She became such after she received a concussion and a leg injury. Now she limps and sees the world far from rosy. Zhenya blames his best (and now former) friend Prikhodka for his injury and directs all his anger and sparkling cynicism at him. But apart from Prikhodko, everyone gets it: parents, older brother, girlfriends and classmates. Everything changes when Zhenya meets the head of the robotics circle, Stanislav Karin, who becomes her mentor. Through interaction with robots, Zhenya learns to communicate with people, enjoys life, and most importantly, forgives and regains an old friend. close
The movie is based on the real story of Nika Turbina, once world-famous Soviet child poetess, who got completely forgotten in the 1990s. That's when we more
The movie is based on the real story of Nika Turbina, once world-famous Soviet child poetess, who got completely forgotten in the 1990s. That's when we meet her: at the age of 27 Nika is full of hopes and doubts regarding her gift. Due to the age restriction, she's got just one shot to enter the Drama School, and that's her only chance to separate from her cherishing and oppressive mother. Acquaintance with a new friend Ivan gives Nika hope for a happy future, but there is still something in her memory that triggers her. Tragically cheerful, painfully confused and desperately believing in love and life after childhood, Nika puts everything on the line to overcome ghosts of the past. close
Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything more
Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything fell on Artyom at once: the betrayal of his father, who remained abroad after the tour, first love, friendship forever and quarrel forever. Artyom has only a skateboard - this is how in the 80s in the USSR they called skate, which Soviet teenagers had just begun to learn about. Now Artyom needs only one thing: by all means to win in street competitions. close