Madame Ducourt’s previous film, “Pretty Girls,” made a strong enough impression with its peremptory statement in defense of women, in contrast to “Hava”, which focuses on the inner world of a rogue girl – the black albino of Hava – which is crumpled and filled with a painful perception of orphanhood. Teenage girl Hava, propped up by
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Madame Ducourt’s previous film, “Pretty Girls,” made a strong enough impression with its peremptory statement in defense of women, in contrast to “Hava”, which focuses on the inner world of a rogue girl – the black albino of Hava – which is crumpled and filled with a painful perception of orphanhood. Teenage girl Hava, propped up by an unfriendly environment and the expected death of her grandmother, endowed with an unusual appearance, is a very specific topic, and therefore it is desirable to perceive the film as specific, as, for example, a medical history. Otherwise, we are waiting for an educational message that allows us to lock a disabled child in the bathroom for the sake of the principle “there are no doors that cannot be opened” for yourself personally, and, among other things, the adoption and praise of the principle of dividing society into ordinary people and “heavenly”, and the latter for some reason need to include the wife (!) of the former (!) president of another (!) country.
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