In a Carpathian village, Ivan falls in love with Marichka, the daughter of his father's killer. When tragedy befalls her, his grief lasts months; finally more
In a Carpathian village, Ivan falls in love with Marichka, the daughter of his father's killer. When tragedy befalls her, his grief lasts months; finally he rejoins the colorful life around him, marrying Palagna. She wants children but his mind stays on his lost love. To recapture his attention, Palagna tries sorcery, and in the process comes under the spell of the sorcerer, publicly humiliating Ivan, who then fights the sorcerer. The lively rhythms of village life, the work and the holidays, the pageant and revelry of weddings and funerals, the change of seasons, and nature's beauty give proportion to Ivan's tragedy. close
With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka more
With a brother dedicated to punk rock stardom at any cost and a drunken father who chases skirt between robotic dancing lessons from the TV, young Senka stands as much chance of nurture as the hero of Truffaut's 400 Blows. The amazing thing about Ogorodnikov's film is that it was made in Russia. Clearly, plenty of Soviet teenies share the nihilistic feelings of their Western counterparts, and the extensive footage of safety-pin chic at concerts perhaps points to a sound export instinct on the director's part. Senka's brother Kostya is under pressure from Howmuch, a very heavy rocker, to steal a synthesiser from the Community Centre, so to protect him Senka steals it himself. The story occupies little more space than the music, but the performances are splendid enough to lodge Senka's predicament in the heart. close
The bureaucratic epos on the dialogues and plots of Mikhail Saltykov-Shchedrin "The History of a Town". In a metaphorical and grotesque form, the film more
The bureaucratic epos on the dialogues and plots of Mikhail Saltykov-Shchedrin "The History of a Town". In a metaphorical and grotesque form, the film conveys the history of Russia from the calling of the Varangians until the end of the 20th century. The film traces the change of the “chiefs” of the county town of Glupov, which differ in varying degrees of tyranny and the corresponding total number of “killed” city residents. The heads of the city easily guess the former heads of the Russian state and the USSR. close
The day after his funeral, the corpse of Varlam Aravidze, the mayor of a small Georgian town, turns up in his son's garden. Although it is secretly reburied, more
The day after his funeral, the corpse of Varlam Aravidze, the mayor of a small Georgian town, turns up in his son's garden. Although it is secretly reburied, the corpse keeps returning until the police capture the local woman who is responsible. This woman says that Varlam should never be laid to rest since his Stalin-like reign of terror led to the disappearance of her family and friends. close