When I started watching the '79 movie, I thought it was going to be as thrashing as our Boys in the Universe. I underestimated the Americans in vain. Their cinematic experience in this field is based on Star Wars and Star Trek. At least the first half of the film is serious and well done. There is almost nothing that would give its
more
When I started watching the '79 movie, I thought it was going to be as thrashing as our Boys in the Universe. I underestimated the Americans in vain. Their cinematic experience in this field is based on Star Wars and Star Trek. At least the first half of the film is serious and well done. There is almost nothing that would give its antiquity, beautifully made space, ships, the black hole itself. What was used instead of computer graphics? Combined shooting. Especially attracted the attention of this flying robot – nothing gives it suspended on ropes object. Well-made lasers are a straight beam from point A to point B, rather than the traditional ridiculous charge of a meter per second. The actors play well, there is no frivolity, theatrical travesty, which was in Russian fiction of the same years. In short, the film looks perfectly normal, except for the view from the window of the ship at the stars made by light bulbs on the black wall. Unfortunately, this is only the first half. From the middle, it's crazy. For no serious reason, the two sides of the characters begin to destroy each other, the characters ride a roller coaster under a cartoon meteor shower. The maniac scientist utters the extremely strange phrase “Save me from Maximilian,” even though he did nothing but serve him faithfully. People begin one by one to fly into the black hole directly from the ship, as if there is no ceiling, and finally everyone falls into it – and so the scientist-maniac merges with his robot and becomes the emperor of hell, and the crew of the ship flies down the crystal corridor of the hell he knows where. What was that?
|