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As the film Good Morning, Babylon tells, left without work in their native Italy, representatives of the family of restorers brothers Nicola and Andrea come to America in the early 20th century. Here, after numerous ordeals, they finally receive a promising order - they are instructed to design the Italian pavilion at the World Exhibition in San Francisco in 1914. The work of the brothers is so impressive film director David Griffith that he invites them to work with him on the film Intolerance,
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