Everything in delight from Pedro
I love his films of the period when Pedro reveals himself in all his perverse glow: homosexuality, identity change, transcendental flutters through the dimensions of the universe, complexes about mom, a little more about mom, and all about my mom. To this period, I attach "Return," "Bad Parenting," "All About My Mother" (repeat, but the director's favorite tautology), and, of course, "Talk to Her." Four ribbons near which no Pepi, Lucy and Bohm ran. In this film, Almodovar again breaks all norms and offers the viewer a social oxymoron of his own preparation for granted. It must be a delicacy.
Smooth fragile heroine in the world Pedro becomes a masculine bull tamer with a non-standard appearance and a snotty narcissistic groomer who abandons her. Her second casual encounter resembles either a latent homosexual, or a maniac from the quiet outskirts of an American county town who is about to get a box with a set of dried butterfly wings.
However, he is more than straight. In addition to a young drug addict beauty - his first wife, he was able to kill a snake, win the favor of a public bullfighting star.
The second male image is even more marginal: his homosexuality is even boring to discuss, so it is obvious to nurses. Anne, he's a trick. Big one. Shocking local medical brethren and one psychoanalyst in particular. Almodovar seems to mock Freudianism, putting Alicia's father in an awkward position.
And here's the last character. The fourth side is a symmetrical part of the chaotic harmony of flesh and spirituality. Alicia, who needs to be talked to. But no one will do it when they can.
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