It's either you or you, it's street law. Who, if not you, will protect you? Erica’s example once again proves that it is worth taking care of your safety in advance, that the barrel is necessary not only for criminals, but also for their potential victims and in those moments when there is no one to expect help from, it is he who is
more
It's either you or you, it's street law. Who, if not you, will protect you? Erica’s example once again proves that it is worth taking care of your safety in advance, that the barrel is necessary not only for criminals, but also for their potential victims and in those moments when there is no one to expect help from, it is he who is the very wand-rescue. The law is not on her side, because she is the same killer. However, the human factor, a successful acquaintance, a cop, who cares about the fate of his new friend, intervened. There's a lot in this story BUT. And the idea is far from innovative - lynching, revenge for yourself, for a loved one. With 2-hour timekeeping, the story seems incomplete, it lacks strength (not in the sense of moral component) and persuasiveness. Much depended on the main character, how well her image is embodied, her experiences, her pain, her fears, her emotional torments are transmitted. She is the central character, but not at her plate. Where is the demonstration of strong-willed character, fighting spirit, her determination!? Where are the transitions between states besides the internal monologues?
|