I'll start at the end. “Je vais, je vais et je viens entre tes reins Je vais et je viens” (translated: “I go, walk and enter between your thighs”) – this hymn of all romantics, late 60’s, chanting “eternal-final love” between a man and a woman, pathetic (I am not about the music itself) sounds at the end of the film with an Artemev
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I'll start at the end. “Je vais, je vais et je viens entre tes reins Je vais et je viens” (translated: “I go, walk and enter between your thighs”) – this hymn of all romantics, late 60’s, chanting “eternal-final love” between a man and a woman, pathetic (I am not about the music itself) sounds at the end of the film with an Artemev trumpet from “My Among Strangers.....” And that's sad. The fact is that there is no “man and woman” with their “eternal love” in this film. The main idea of the film is a twist, which I will keep silent so as not to splear, which we only learn about in the last minutes of the film. And at this moment, according to the director, apparently the immortal music of Serge Ginsburg "Je t'aime ..." Moi non plus is supposed to split us into atoms. . . Oops. Alas, the music works (it’s Serge Ginsburg after all), but the hidden message of the filmmakers without the music does not. I'll try not to peel. The main character of the film is not the “main character”, but the main character is a girl who was shown to us periodically throughout the film, and she loved the main character all her life, and embodied the words about love that our hero (who is not a hero) uttered. They play poorly in the film: nominally. Not really bothering. And there's almost nothing to play. Because of this, there is no empathy for anyone. The film is reminiscent of the New Year’s comedy, in which, by magic, innermost dreams are fulfilled, only this is a drama, not a comedy. The new genre is "New Year's drama." The authors managed to stuff Tarkovsky into the narrative, and the “bloody shit”, and even Makarevich himself (!) played along in the movie. The main character (who is not the main one) - the actor Zbruev - alas, no, so not interesting. The main problem with this film is the wrong register. A swing at a "great movie" (or "another movie"), because there is an idea in it. But, the implementation of the plan is a “new year” film, in which Zbruev and (himself) Makarevich starred. I do not like when the shortcomings of the film try to hide behind the indisputable masterpiece, in this case, this masterpiece is the composition “Je t’aime”. “Moi non plus” by Serge Ginsburg, not the movie itself. If you have nothing to do, you can look.
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