Aspiring actor and hot-dog stand employee Bobby Taylor catches the ire of his grandmother for auditioning for a role in the regrettably titled exploitation film "Jivetime Jimmy's Revenge." When Tinseltown Studios casts Taylor in the title role, he has a series of conflicted dreams satirizing African-American stereotypes in Hollywood, and must reconcile his career goals with his desire to remain a positive role model for his little brother.
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only more
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only seven months after Star Wars, consisted of little more than inside jokes and visual puns that heavily depended upon audience familiarity with the original. The theme song is Richard Wagner's famous "Ride of the Valkyries". The tagline was "You'll laugh, you'll cry, you'll kiss three bucks goodbye." close
Chevy Chase makes his film debut in this riotous collection of live skits. Directed by Ken Shapiro and featuring Chase, Richard Belzer and others, The more
Chevy Chase makes his film debut in this riotous collection of live skits. Directed by Ken Shapiro and featuring Chase, Richard Belzer and others, The Groove Tube mocks TV Land and its trappings by spoofing kids' shows -- from a marijuana-smoking Koko the Clown who resides in Make Believe Land, to Safety Sam, the penis with a plan who gleefully informs the audience of the perils of casual sex. close
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, more
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in common. Can Max learn to look past the packaging? close
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious more
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood. close