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The drama, presented to the audience by Canadian director and actor Arsalan Baraheni, an Iranian by birth, is his first experience in feature-length cinema. The film itself was created rather for a narrow audience, since in the genre it is close to arthouse, author's cinema. The main plot components of the film were the themes of the relationship between mysticism and cinema, spirituality and cinema, revelations in art. But the main thing for the director is the problem of immigration and loneliness,
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