“What a hoo...a divine rethinking of the feat of the Komsomol members of Krasnodon”! – my reaction to the series after watching the first three or four episodes. Especially in comparison with the eponymous film of 1948, which was written by Alexander Fadeev himself. I was outraged, a man brought up on the works of Russian Soviet literature,
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“What a hoo...a divine rethinking of the feat of the Komsomol members of Krasnodon”! – my reaction to the series after watching the first three or four episodes. Especially in comparison with the eponymous film of 1948, which was written by Alexander Fadeev himself. I was outraged, a man brought up on the works of Russian Soviet literature, the embodiment of the images of Oleg Koshev (at first we have a kind of “mother’s son”, almost a collaborator) and a young man with the deviant behavior of Sergei Tyulenin. But... Please don't repeat my mistake. Watch the series to the end, and then draw conclusions! The show is worth it. Yes, not without some inaccuracies and outright blunders. So, for some reason, the authors of the script decided to twist a romance between classmates Lyubov Shevtsova and Sergey Tyulenin (the film turned out to be much older than the last). The series almost does not show the role of communists in the organization of the Young Guard. (Such, apparently, are the realities of today’s Russia, as they say, “a new broom in a new way.”) But completely avoid mentioning the party from the scriptwriters still did not work. Having seized the radio station, Ulyana congratulates the residents of Krasnodon on the Great October holiday and forgets to insert the word "socialist". But it's all small things. The series turned out to be interesting and really strong. Hard to read. And a huge plus, which has already been noted by other users, is the central role of Viktor Tretyakevich. With certain reservations, the series can be fully attributed to the so-called "New Soviet Cinema" genre.
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