In theory, the images shown in the film should be scary, but for some unknown reason they are not perceived as such, probably because throughout the film you realize that you are rubbed some Asian cool story with their typical black-haired ghost girls, narrow-eyed earthy zombies and a search for deep meaning, which in fact turns out to be a handful.
I understand the thinking of Asians. They have very minimalist plots, silent characters, poverty of events in everything. You know why? Because they have meaninglessly complicated writing. As you remember which of the million characters you draw, before you draw it, the thought has already slipped, so they learned to think very short thoughts, and then admire them like a cherry blossom. And so their novels have only pictures and a handful of text in the corner, and their poems have 3 lines and no rhymes. The same model of thinking moved to the cinema - there is at the very end of some semantic moment, however, very simple, but the film format - an hour and a half, so until this moment you need to somehow stick. And the authors fill that space with random, non-working images. But who are each other the heroine and the girl I understood almost immediately, and the presentation of the denouement as shocking looked just ridiculous.
The name in English is a play on words. Untranslatable, of course. Recycle is deletion, cart, Cycle is cycle. But in Russian, the two words cannot be combined, although translators have tried unsuccessfully to do so, and in the end it looks like the characters are just talking nonsense.
I'll give you two pluses. The actress in the lead role has an interesting unusual type, she is half-breed, named Angelica Lee. At the end is a beautiful transition scene. Only for these two details I put 4 points, otherwise the score would be even lower.