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In 1964, the French director Henri-Georges Clouseau began work on the main project of his life. The film "L'enfer" ("Hell") was to become a new word in film aesthetics and open the viewer to the unknown abyss of insanity and obsession of man. The director wanted to tell not just a story about jealousy, but to take this ugly side of passion under the microscope, study its irrational mechanism thoroughly, go to the depths of the human soul and open the ulcer of this ruthless and uncontrollable feeling.
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