Very ambiguous film adaptation, causing after watching a storm of emotions. The bundle is quite good - the older brother tries to help her sister, supporting her strange hobby (eroge about lovers of sisters, and the usual anime), which she is ashamed to share with friends.
For most of the timekeeping, this story about a sister pretends to be an ordinary haremnik with ambiguous jokes on topics “on the edge.” Much time is devoted to the study of otaku culture and the attitude of ordinary Japanese towards it.
Sister has a lot of girlfriends, a lot of great options for a haremnik. But some of them, for some reason, do not work at all, although there are all prerequisites for this, and some, on the other hand, develop altogether suddenly and for no reason.
In the process of 2, expanded seasons, viewers learn that show business in Japan is quite open, but the conditions there are not the most pleasant, that even schoolgirls can produce dojinshi, as the anime industry works. All this will be generously sprinkled with jokes about dating and relationships, and about the “unhealthy” love of the protagonist for his sister.
The jokes will end in the latest series, they really love each other not as brother and sister, and decide to admit it to everyone. From that moment everything seems to fall into a parallel dimension, and their rhetoric that “everything would be cool, only our society does not accept such love” only finds confirmation in their disputes with the girls of the main character.
This is where the worst thing happens: none of their opponents makes any arguments except “it is not accepted.” Really? That's it? Everything else okay? It so happens that brother and sister are martyrs who can not live as they want because of stupid prejudices. It seems to me that if you come to a serious discussion of the topic, then it is worth ALL the obvious problems to voice. It’s not an exploitative movie or an eroge that isn’t taken seriously.
The writer does not give any progress to this case, but the residue remains. And a brother who sacrificed relationships with normal, well-registered girls, for the sake of “this”, dramatically changes the impression of himself.
At the same time, the first 80% of timekeeping did not foreshadow such a disaster. All the characters are well written, their motivations in most cases are clear. Kuroneko and a childhood friend were given a lot of time and attention. It would be a great strong title about the everyday otaku in the homeland of the phenomenon. A haremnik where the main character is not exactly an idiot. Unless you count the last series.
There are conflicting feelings after watching. It seems that everyday life is cool, and seems to have a nasty message.