How do you prove you didn’t steal a diamond? You have to steal this diamond for that. This is the power of logic. You are soldered a life-long - well, now let your brother, his bride and your father go to work, let them also be soldered, if anything... Well, at the robbery of course, what else do lovers do - constantly sort out their
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How do you prove you didn’t steal a diamond? You have to steal this diamond for that. This is the power of logic. You are soldered a life-long - well, now let your brother, his bride and your father go to work, let them also be soldered, if anything... Well, at the robbery of course, what else do lovers do - constantly sort out their relationship, how else? Overall, the film is a remarkable example of poor directing and acting. The guy on the eaves does not panic and is obviously taking time, the police officer never worries and, while he counts down to the jump, she orders herself a cup of coffee. In the film, no one is worried, not nervous, everyone calmly reads their roles on paper. Here we have a plot that in principle can be kept on tension and intrigue, but there is neither one nor the other. Does the film have any advantages? Yeah, operator's job. The camera perfectly follows the heroes, it is alive, it gives different angles for jumping on the eaves and from the building down to insurance. Everything else gives the impression of someone's coursework at the film institute. Everything is fluent and absolutely not psychological, in the end, evil is of course punished, the main characters share money, drink, kiss, marry. . .
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