Chantal Akerman has toured Eastern Europe through Russia, Poland, Ukraine filming everything that moved her : faces, streets, cars, buses, stations, landscapes, interiors, queues, doors, windows, meals. Women and men, young and old passing or stopping, seated or standing. Days and nights, rain, snow and wind, winter and spring.
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners more
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism. close
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied by the texts of Chantal Akerman's loving mother back more
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied by the texts of Chantal Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away. close
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, more
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind. close
Shot in documentary style from the perspective of an almost alien observer, the film is an exploration of the ravaged oil fields of post-Gulf War Kuwait. more
Shot in documentary style from the perspective of an almost alien observer, the film is an exploration of the ravaged oil fields of post-Gulf War Kuwait. An effective companion to his earlier film Fata Morgana, Herzog again perceives the desert as a landscape with its own voice, as he glides over seas of oil, geyser-like infernos, monstrous smoke plumes and ashen roadways. With musical accompaniment by Wagner, Prokofiev and Pärt to boot, he observes the soot-covered creatures allured by the blaze. close
Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime.
Filmmakers expose the horrifying mass executions of accused communists in Indonesia and those who are celebrated in their country for perpetrating the crime. close