A year, two, or three, I would have appreciated it higher, exactly, probably... It is worth admitting that the 80s as a cultural layer had a great influence on art in general. In clips, music, fashion still make references to cultural works of that decade. The only embarrassment is the huge number of films that, for all their cultism, have a bad script. This series also did not pass this problem.
For starters, pros:
Good picture. Despite the fact that the strokes, drawing and color are typical for the animation of the 80s, the picture has its charm, at least it does not cut the eye, unlike the Japanese animation of the mid-90s and does not suffer from 3D effects of the 2010s.
Music. Synthesizers, saxophone, new wave, without these elements, not one movie or series about the 80s can exist.
Let’s take a look at the downsides:
The story. I don’t think he’s there, just the family moves, the guy and sisters just go to school, the guy just falls in love. The dilemma in choosing a partner is strained, well, there is no feeling that he loves both girls equally. Most of the themes that try to show in this series are not disclosed. The end could close the topic of choosing love, but there left an understatement, because of which you will have to look for answers to questions in OVA and a full-length cartoon. In my opinion, 3/4 of all episodes of this series could be safely cut, and this would not change the essence of the series.
About heroes.
Kasuga Kyoske is the quintessence of insecure schoolchildren who cannot decide on the choice of a partner. There is a lot of reflection throughout the series. Children have the highest number of abilities. In addition to the standard set (telekinesis, teleportation (sometimes in inappropriate places) managed to learn to travel through time and hypnotize, which again does not play a special role in the series.
Kasuga Manami is the younger twin sister of Kyoske. One of the few characters who really wants to be compassionate. The most reserved member of the family (along with her father) + a housewife in an apartment where her merits are not appreciated, which is why in one of the episodes she ran away from home for a short time.
Kasuga Kurumi is Kyoske's younger twin sister. A carefree and hyperactive child who has caused the family to move to other cities so often. He likes to eat for free.
Ayukawa Madoka is the main love interest of GG. Changes after meeting Kyoske. Perhaps because of his character, he occasionally fights with local bullies and bandits. Despite the difficult character, he learns well and plays the saxophone (most likely due to parents-musicians who are constantly on tour).
Hiyama Hikaru is GG's second love interest, an overly active and sticky girl. Too cute at Kyosk, too tough at others, especially at Yusaku.
Yusaku is Hikaru's classmate. All the time he tries to roll up to Hikar, but every time he gets a turn, and if he sees that Kyoske stands next to her, he immediately becomes aggressive and tries to hit him. Doing karate.
Hatta and Komatsu are 2 classmates of Kyoske, who are always trying to roll up to the Kasuga sisters and like to stick their nose in their own business. At the beginning of the series was funny, but the further, the more annoying as the characters.
Jingoro's cat is another character who, unlike the others, didn't get bored. Often falls out of favor of the sisters, in one of the series tried to find his mother.
Kasuga Kazuya is Kyoske's cousin, who looks like a minicopy of himself. He has telepathy, and can also move his consciousness into the body of other beings, simply by smashing his head into his head.
As a result, there is a comedy that manages to get tired after 10 episodes because of the same type. There is romance, there is everyday life, even adequacy and logic here, and this series would be no worse than modern TV series. If you are a lover of romance and everyday life, or you just want to know where the legs of the genre come from, then you can get acquainted with it. For 4 years of dating with anime, I was already tired of such a knuckle, and after reading the book “Dialogue” by Robert McKee became even more critical of the genre.