A couple of arguments for I like the film for its life-affirming character. And that's exactly what it is, take at least the last scene of Barnes' character. Well, before that, the tape pleases with a good game of the duo Barnes-Feldman. Fahey and Petroro also played at the level, but everything pulls a couple of “killer-mediator”.
I like the plot with its simplicity - the killer does not bother about his craft and does not sob in the pillow at night, and dirty politicians and gangsters are just like the viewer waits.
The action itself is set well and very realistic, except for a couple of moments in which the viewer, familiar with the weapon, sarcastically grunts. He'll be right. But I'm not here for an accusation, so I'll come back to the pluses.
There are many moments in the film with musical compositions in the background, but only one is remembered, from Cherry S/T- Disown the world. She sets the mood for the last scene, immediately raising my final score by two points. 7 out of 10 good gangster action movie, albeit with a small amount of peep-puff.