Kon Ichikawa, Yasuzo Masumura, Kozaburo Yoshimura—all about a woman The story Masumura told me was very much to my liking. This is a novel about a young lady (of course she was played by Ayako Wakao), who works in an entertainment institution and professionally breeds men for very large investments. So step by step, she learns to fall in love professionally and soon refuse, and at the same time becomes a significant investment player. The intrigue of history is that the seemingly frivolous heroine of our history will fall in love.
The second story, depicted by Kon Ichikawa, doesn't look too concise. Lots of characters, dialogues and twists, and all around an ordinary love story.
But the last novel is distinguished by contemplation. This is a woman who has changed a lot in her life. Yes, her craft has raised many questions before. But the desire to help people, children changed everything. There is a share of moralization and gloss in this, but in general, the visual component turned out to be too elegant and expressive. Every conversation has something much more to it. And that adds to the whistling tape.
Thus, from the distant 1960, Japan issues three sketches about women’s independence. Good artistic solutions, although novels are far from masterpieces
7 out of 10