- I'm Kirill, making babies! "Blows a fountain from the ears - make more babies!" If you are in love with a girl, your best friend is testosterone!
Perestroika and “post-failure” Russian cinema did not spoil the viewer with ethical and aesthetic delights. Beginning with Little Faith (1988) and Intergirl (1989), the theme “about it” became the dominant theme of entertainment films. “About this” was shot before: “Earth” (1930), “Andrey Rublev (1966), “Autumn” (1974), “Tabor goes to the sky” (1976), “Crew” (1979), “Winter Cherry” (1985) and others. That's just all the pictures listed were about true love, the natural apogee of which was the bed scene. After “Intergirl” “about love” was almost not removed, because the theme “the unbearable gravity of being” prostitutes became much more interesting.
Erotic dreams are important for potency. Reproduction is the law - testosterone rules the ball!
However, by the mid-1990s, this topic was already boring to the viewer, so Ernest Yasan decided to look at the problem from a different angle. Instead of girls on call, there was a “call boy”. Mikhail Porechenkov played a hero whom nature generously gifted with testosterone. Gifted so that he out of heartfelt compassion to all willing women for cash calculation offered guaranteed fertilization. The director’s innovation in this case was that Kirill did not just sleep with women for entertainment, but had sex with them solely for the sake of procreation!
Guys, not kids, got into a fight. Blood is pouring under the swords of the bell - testosterone calls to battle!
The subject is certainly interesting. The French or Italians would have made the plot a candy, because the sexual revolution of the 70s had already plowed this topic up and down. Russian cinema had no such experience, so they proceeded from the principle: "The more - the better!" It is necessary to pay tribute to the director - before the goal he undressed not all actresses in a row, but only those who have "90-60-90": Maria Lipkina (Diana, 18) and Irina Sobanova (Beautiful, 27). Mila-Ludmila (Helena Rud) apparently liked the director so much in the role of a “deeply secretive female vamp” that she was allowed to play two episodes. Duo saleswoman from Ukraine Gali (Zoya Buryak) and elderly womanizer Andrei Dmitrievich (Igor Dmitriev) – an excellent comedy sample!
And for the lady of mature years, baring a steel stiletto, the grandfather beats. Sorry... here's testosterone again!
Just as talentedly played in the duet of the sorceress Clara (Valentina Kovel) and the owner of “factories, newspapers, steamships” Grey (Ivan Krasko): "You do not need beauty, but kindness!" Not youth, but understanding! Interesting and instructive was the story of the owner of the multidisciplinary company "Rita" Ekaterina Lvovna (Anna Samokhin) and her husband Volody (Alexander Alekseev). They are a perfect example of a “free relationship”, when the income of one of the spouses is the only “connection” of two completely strangers. Of course, for the sake of female charms alone, Ernest Yasan did not intend to shoot his picture.
"Hundreds of thousands of centuries the blood is boiling among men!" Did you hear the squeal and the loud groan? It was testosterone!
The main task of the script is to show how true love can change the fate of the main character. Unfortunately, this part of the film was much weaker than all the “preparatory” episodes. Scenes with explanations in love, with clarification of the relationship between Cyril and Diana look completely unnatural. They are perceived as unnecessary and as “attracted by the ears”. As well as the “Caucasian accent” of Diana’s on-screen brothers – Eagle and Falcon. “Tombs” with weapons against the background of the beginning of the Operation to restore constitutional order in Chechnya is also not counted in the film. In general, with the finale, the filmmakers significantly miscalculated. And a pity - because it began so romantic: stockings, garters, testosterone. .