There is no such thing in our Tver, even among the shmaras of the center. At first, the story of a finished young drug addict Ruth, who can not live a day not to suck on a can of some deodorant, strikes with its repulsive black naturalism. But this is only as long as the film does not steer on the main theme.
Pregnant once again, Ruth is going out of the habit of "fucking." But then people from the anti-abortion organization begin to show interest in it. However, hopes to get Ruth to their supporters are fueled by their competitors from the feminist movement, which fights for the rights of women to independently decide whether to leave a child.
As the story is promoted, it becomes quite grotesque and more and more intriguing, leaving for Ruth a third way to solve the problem, which for obvious reasons should not be disclosed prematurely.
This film is a rare example of actual satire for American cinema, addressed against the costs of freedoms and hypocrisy of society, which began to experience increasing oppression of the phenomenon of political correctness.
The story of Ruth is somewhat reminiscent of the plot of “Suicide” by Nikolai Erdman. Here, both clans of irreconcilable antagonists move from simple persuasion to the most decisive actions. Having exhausted the means of persuasion, they resort to the last argument - bribing a client: they arrange something like an auction, in which almost the whole country takes part.
The authors manage to identify not racial, not class, but social conflict and demonstrate how good intentions can turn into their complete opposite, namely, violent extremism.