Lapina + Ottieva Remarkable ' Hidden' duet. To look at Lapina in pleasure - the cheekbone beauty of the 80s and a wonderful act of emotion with beautifully large facial features. Ottiev to listen to the pleasure - the style of the time of the release of the film - so her vocals well lie on the music of the same 80s. The rest, only in places: sometimes good play of great artists, sometimes good songs ' Numbers', sometimes added explanation of actions-reactions absent in the original author.
But everything is not connected with each other by some general intonation, sensation. Everything by itself, without cross-cutting themes and meanings, connected only by the general timekeeping and sequence of presentation to the viewer. Nothing more. Even the drama of the finale is manifested not on the basis of ' eyeliner' - emotional ' pumping' - but only narratively in the course of the action. But! But, in contradiction to himself: for the viewer of 1989, just such an unexpectedly powerful, emotional ending was remembered, impressed despite the lightweight narrative before him, and perhaps thanks to such a tip. The truth is, then, that the rest is boring now, the truth is different. For the viewer of the present is not enough of this ' miser' on sensations - need more ... colored and musical history of struggle and humiliation, betrayal and dishonor.
6 out of 10