Trying to play back the 20-30s 20th century in teleformat - not counted. Too fast, according to modern, actors react to what is happening. There is no thoughtful slowness, playback, presentation of character that is characteristic of that time. The viewer is not immersed in the texture of time - this does not contribute to the music - not in the mood of the yawning orchestration familiar to television production of the 0s.
Acceptable what is happening on the screen becomes when the number of participants is narrowed - two pairs of g. Within this collective, timeless transactions of communication take place - pomani-cheat-leave on 'meli'. It is always interesting to watch, especially since the performers are charismatically beautiful. I will highlight Simon-Eliza Girard - who is the only one who plays the time of the plot, both in appearance and acting plasticity.
Everything else that happens in the film, much larger, beautiful and fascinating, can be seen in 'Welcome to Paradise'and 'Fool's Gold'.
4 out of 10