Unfinished masterpiece of night intoxication The opus magnum Schroeter in four acts (Spanish, two French and German) is slightly undershot: there is no Ingrid Caven, but the author is further transferred to the space of modelling, and the avalanche of images resists the onslaught of ordinaryness by the uneven flow. Static prelude is played with blue stained glass, then an hour sags the red "Cuba", where the kingdom of the drug by strangling pearls overtakes the emotional redundancy of stylized actresses. The industrial "Drama on the Rails" dispels the detachment of the scenes across the cool wastelands, and the black and white climax of "Broken Heart" is filmed at the Les Flocons d'Or estate in Avignon. Montezuma’s graceful grandeur highlights the authenticity of Bul Ogier: the light-shining killer is “the most beautiful thing I’ve played” on the lakeside. The German "Treason" returns to orbit around the ice pole: a hostile reality humbles the powerlessness of a narcissist (Udo Kir) with an invisible glass, like the roles of Monica Troit, lifting into the space of holiness, where the appeal to the beautiful is a romantic tragedy that opens the street finale. The forgotten picture of the world is transformed into art, blurring the clear intention of the reciprocally acquired intention.
10 out of 10