It must be seen to be believed… The life of a small tourist town is shaken by disappearances. The circumstances of these disappearances are mysterious and inexplicable. Defeated in an attempt to conquer the state capital, a bit scattered cop Bill returns to his homeland, to his old precinct. Now he and his colleagues and a couple of concerned citizens have to unravel this mysterious story. As evil, the tourist season is approaching and local entrepreneurs are trying to put sticks in the wheels of the guardians of the law, in every possible way preventing publicity and confusing the investigation. Meanwhile, the number of victims is growing and versions of an ancient Indian curse and demons, through sacrifices, trying to penetrate our world, are increasingly emerging.
I hasten to warn people intrigued by the synopsis and poster. The movie is bad. It is so bad that sometimes during the viewing I caught myself thinking, and not whether the authors deliberately created a heap of blunders and absurdities, stupid glues, confused dialogues, unsuccessful takes that got into the film. After getting acquainted with the filmography of the people involved in the film, the question disappeared. Obviously, the film is bad without ideas, due to the inexperience of the creators, and so indescribably good! Before us appears “Room” Tommy Wiseau, but in the horror-entourage of the provincial one-story America, a close relative of the cult “Troll 2” Claudio Fragasso, undeservedly deprived of attention.
The authors seemed to shoot a lot of scenes with monsters and murders (for the variety to give them credit), and then clumsily crafted semi-improvised dialogues designed to give meaning to what was happening. Didn't work. By the end of the film, it feels like the editor goes through all the stages of accepting the inevitable, giving out a story that could easily be a dog’s dream. Visually, everything looks just as terribly heterogeneous: the evil here is many-faced and depicted at different times by various means, such as stop-motion animation, makeup and flirting with perspective. On the level of quality at which all this is done, I think there is no point in writing. But the main soundtrack came out surprisingly juicy and memorable! It is a pity, he, like a timer, plays here on the repit every 3 minutes, on occasion and without it.
And yet I loved the movie. With his clumsiness and absurdity, he gives a lot of perverse pleasure! A rare representative of the category "So bad that good!" Everyone interested in the case is required to view!
5 out of 10