- Have you seen what humility leads to? Your own funeral pyre was lit in front of you! The son of a wealthy industrialist, Prakash, was completely out of hand. It's all the fault of his uncle Rakesh, who has only money, girls and entertainment on his mind. One day, Prakash’s excessive arrogance and impudence stumble upon the embodiment of culture and decency in the person of the girl Sita. After getting kicked in the neck, he returns home, where his father tells him that he has already thought about marrying him. He is shown a photo of a girl, a potential bride, in which Prakash recognizes the one who still burns his cheek. Wanting cruel revenge on the girl, he, to the great surprise of his relatives, instantly agrees to marriage.
The first thing that catches the eye is a close relationship, or acquaintance of the main characters. One way or another, everyone through someone has to be a relative or old acquaintance. Aliens, or otherwise, visiting characters, there, and all the events take place as if in one family. The second point is the division of the film into two parts: humility, where there were references to such a fairy tale as “Cinderella” and revenge a la “Count of Monte Cristo”.
Bhanupria coped perfectly with the first part, which is probably all the Indian girls in the blood, but in the second was not very convincing, as if not in his plate. Govinda was as good as ever. Whatever episodes he played here – drama, comedy, dance – everything came out naturally. Except when he put his hands and feet on the faces of the bad guys, it didn’t work out well, but it’s an old Indian disease. Juhi was a little surprised. Role for three sentences, and danced in each musical pause. And if Bhanupria warmed up only at the end, and it was more like morning gymnastics, then Juhi was faithful to her favorite freestyle. The songs are too simple and below average.
Despite the passions taking place on the screen, the film is quite funny and not at all malicious, as it may initially seem. Love has won again.
3 out of 10