One of the few times you watch a movie for a negative character rather than a positive character. Cold-transparent eyes Rahul Deva mesmerize and freeze. The blood is cold in its veins because of its icy calm. He does not play rabid rage or blinding anger, does not flex his muscles or pose like many other Indian scoundrels. But he's terrible, he's frightened by that inhuman morality behind the human form that his character demonstrates, he's capable of anything and you never know how he's going to react to an event. This unknown and cold look absolutely confident in the correctness of his actions, the person is most frightening. It is not to appeal to him with a pathos typical speech, from which burnt scoundrels in other films instantly repent, it can not be defeated either by honesty or cunning, not defeated in open combat (this is confirmed by the final scene, where not the efforts of GG led to victory). A completely atypical Indian villain with an atypical appearance: thin, toasty, stretched like a bow string, without muscle bumps, but dangerous as a perfectly sharpened blade. The gait, the look, the ability to stay in the frame, the sense of self-esteem - all this favorably shaded him against the background of the main character, who in this film completely disappointed as a character. Jayama Ravi I saw for the first time, so I can not say he always plays so unexpressively or he too was not in the gut of the prescribed character: owner, bully, proud, lazy ... He can come to the set (his lover is an aspiring actress), beat everyone (for what?), publicly grope the girl and insult her father. He makes a scandal when the girl asks a quite reasonable question, what he is going to support the family if he does not have a job, and he perceives attempts to find him a job as attempts to quarrel with his beloved. The police are insolent and uncouth. He constantly repeats that he is ready to steal, kill for love. I always wanted to ask, what are you better than those bandits who are after her? I also did not see the love for her, even in small things you can see that he just likes to own her feelings and thoughts, to see the look of a devoted dog, to hear that she trusts him in everything. Shriya is very cute here, a little clamped with childishness (reminiscent of Jeanelia D'Souza - the same babble and enthusiastic eyes). In other films, she danced better and played more interesting, but it was also good, at least in romantic scenes she was much better than Jayama Ravi, just as in the scenes of confrontation Rahul Dev was better than him. Mixed feelings remained after watching, since somewhere in the middle of the film I was already worried about Ravana, who kidnapped Sita (this comparison runs through the whole film), because it was clearly not Rama’s moral qualities that liberated her.