Disaster. How can you kill such a seemingly win-win idea as a "killer machine"? Well, for example, to remove everything for very limited funds, while taking on the main role of a very unremarkable car. And no, I'm not saying that the black convertible is bad here - it's just that Charles Band, in his early film, failed to savor it to the fullest, presenting him as the true devil of Christine, the Car of the same name, or the Truck of the Duely. Just a black car drives and pushes everyone into a ditch.
In addition, by the way, we can observe a real detective - an old man who blames his attractive young wife for being disabled, tries to take revenge on her by setting up an accident in a very wonderful way - throwing an evil dog into her car that bites her. The option of spoiling the brakes no longer rolls, I suppose?
But it's not in such small stupidities - on the contrary, if you were bigger - the tape would only win, but unfortunately "Crash!" - from the category of those extremely boring tapes with a couple of good moments. And all of them, as you can easily guess, are in the necessities created by a black car - that's just in addition to the above miss with the delivery of the car, another problem pops up - I don't know how later, and at the beginning of the creative path, Band could not shoot road battles. A couple of the lightest sticks - and the victim's car is flying with a cubicle as if it was hit with a wall ball. It looks strange, and the only brawls that look more or less interesting, happen closer to the final.
In addition, unfortunately, there is not much to look at here - you can distinguish only a hysterically funny scene in which a revived wheelchair is beating with a pensioner and his dog (a certain statuette answers for the revitalization of objects here). This scene is so strange and clumsy that you begin to suspect some inappropriate prank.
But in general, "Accident!" is no better and no worse than other early crafts of Charles like "Parasite" or "Alchemist" - the same low-budget and limited, allowing, however, some more or less interesting scenes. Well, do not forget about the detective funk soundtrack - it turned out to be quite cheerful here (at least on the opening credits). And so, in the end, a typical early Charles Band in all his manifestations.
4 out of 10