Greed is not good! Immediately I want to draw attention to the fact that the synopsis on Kinopoisk refers to some other film, since there is no question of any female insidiousness in the story shown to us, and all the women in the film are secondary and are in the background, without playing a special significant role in the plot. Genre film "Spaghetti Western" in its pure form, Indian color or features of India is not here. In some episodes, I even caught myself thinking that for Indians, some situations/acts are uncharacteristic, it is more Europe. But that doesn’t make the film fake or low-quality, on the contrary, logic, characters, the natural play of the actors, and naturalism are all present here. A few people, united, stole a huge amount of money, 4 million rupees! They would have lived happily and comfortably for many years, but one of the gang escaped with all the money. Naturally, the rest rushed to find him, and in the process they were joined by another clever and brazen thief, performed by Vinod Khanna. After breaking all the brothels and brothels, they found the traitor in a small hotel in the snowy mountains. Unfortunately, human greed and inability to share led to the fact that they constantly conflicted with each other, fiercely fighting for coveted bills in an old suitcase. The film has unexpected twists and turns, and strong powerful scenes (psychologically), and unconditional morality. For the role of bandits, they also managed to pick up actors who are extremely cute to me: Pran, Iftehkar, Ranjit and, of course, Vinod himself. As a result, I sincerely worried about them, all the time I wanted to stop them, make them think that a share of money will be enough for everyone, but a person is greedy and stupid, and money corrupts no less power. The result is logical.
I would like to additionally note the title theme (it was stolen from Ennio Morricone from the film Sergio Leone of the same genre), the abundance of snow in the frame (which is quite rare for Indian films and creates the right atmosphere), the full-scale shooting is very good, the fights are staged naturally, some of the jumps and tricks can be seen that Vinod himself performs diverse songs and there are only three of them: one as a performance of a lover-dancer, one under the search for cereal places, when our main characters are looking for an escaped traitor, and one is involved in the overall role in the hotel.
Although all the characters are written out quite succinctly and, despite the large number of them on the screen, you do not get confused in them and manage to follow the character and actions of each, but the main characters are still the head of the gang (Pran) and a newcomer who joined the gang (Vinod Khanna). They occupy most of the screen space, their characters are the most convex and interesting, but the game is not worth talking about - both recognized masters, and Vinod is just in the heyday of its natural magnetism.
I recommend the film to everyone: firstly, a non-standard genre for Indian cinema, secondly, the logic of the plot and the spelling of the characters, thirdly, the abundance of beautiful actors and the presence of reliable sincere play, and, of course, the aftertaste in the form of the main idea. How many misfortunes could be avoided if heroes could share. . .