There is such a way as to place dots on i. I don't like her very much.
I even despise when all the storylines are drawn under a line that is akin to a black hole, ramming into itself everything that does not fall into the most babble way.
So this isn't about Gluhar. Or rather, not exactly about him.
The final season compares favorably with the previous sequel with the return of a very simple mechanics: household at the proper level of tragedy, causing a healthy measure of compassion and the absence of obvious “hardware” that the second part abounded.
However, the benchmark balance of the first season - did not reach. Well, God be with him.
The sound was also tweaked. I had a claim of some very weighty claim ... but from serious I can remember only similar to DHT duzes from the Chronicles of Tarr for the voiceover of the "migraines" Karpov and the absence of several original tracks, as well as their harmony in general.
In the rest, sound engineering is right on the level, pleasantly compiled: the sounds for pistols, and shooting, and background effects - everything is fine. Little sins are just a very picky look.
Operator's job - this has not been a problem before.
But the development of the characters went somewhere not quite there. Comparatively: before us there is a clear lack of effect, when the viewer asks the question “How to be in such a situation?”, synchronously with one of the protagonists, and someone from the other characters picks up the mood, reflects and gives a decision.
Let not always be true, let not always be effective. But often logical and thoughtful. Such that failures will be due to really insurmountable circumstances.
That was the order in the original, that started the problems in the sequel, that continued the problems in the final trilogy. Not so bad, though.
The timing of the episodes is roughly broken down, literally into clusters. There are “serious” story arcs, and there are “fair” and they are unbalanced in a pile.
Also, if we consider the story branches separately, they look cool, but in combination - have rare references to each other and, alas, are poorly interconnected.
Separate transformations of the heroes, in particular - Antoshin with his "devastatement" in the style of darksouls, Karpov's sudden switching remain behind the scenes (irony). There are no zombies here, except for the cartoon MD Geist domestic spill, and that episodic.
It did not work out smoothly, the lines of such outstanding accumulators of interest as the Somovs, the Bar of Tarasov, the transformation of Klymenko, the logical structures of sectarians, killer doctors, and much more were quickly curtailed, although they were put very, very decently in most cases.
On the other hand, the least serious characters suddenly turn out to be the most steadfast and faithful to the cause, although, in my opinion, they could be added to the solidity of the comic effect. On the other hand, in life, guys who are too close to heart do not take everything and hold much more.
Good morale - appreciated.
And, yes. In almost every story thread returned a very instructive morality of the fable, for which the authors separately thank you.
Jokes are funnier, situations are more lifelike.
The quality of the season is somewhere in the middle, between the first and second.
Bottom line - ...
And the bottom line is that I frankly despise the traits that have been outlined.
And, despite some behavioral giddyness of the participants of the action, the line was not drawn.
Deaf is a series that in structure resembles the cult game Space Rangers.
Not everything is perfect, yes... but it was very interesting, the work is certainly good, high-quality and worthy.
And, it seems to want to continue ... but it, in this format should not be.
Charismatic protagonists.
No less charismatic and antagonistic.
Thoughtful secondary characters who do not pass by for the most part.
And. . Address. Which sums up and instructs a little.
In general: everything, as they say in the famous memo. Deaf is the father of all worthy TV series.
After the stunning sequel to the already sensational series, which became famous as ' the most truthful series about the Russian police' and shining unconventional manner of narration, which is skillful dialogue and the unification of several series in a single storyline, which forced to ignore the extreme number of years with a complete absence of action; when the second part of the adventures of the beloved characters showed even more of the film, it is not possible to follow the second chapter of the people, and to be released in the same way:> ' The Return' had to happen in order to get a logical and epic conclusion to all the lines of various characters in this story, which showed how you can not just entertain the police chases for thieves and bandits, like ' Killing power' and ' Streets of broken lanterns' or amuse and evoke the same actions always honest and principled operas with the help of a smart animal, like ' Return of Mukhtar' but demonstrate the truth, even in the third season, as well as the positive ones, to show the old ones, with the positive ones, with the example, already working on the old ones, and the old ones (39); Despite the funny introductory episode with Sergey Glukharev in the store, the initial credits have already tuned to the fact that this time the narration will become even more gloomy, deep, tragic and realistic than in the second season, the titles of which showed us the beautiful slow-moving gait of the five main characters in the separation of the Pyatnitsky OVD (by the way, a character by the name of Karpov, who managed to evoke trust and sympathy with his brutal but extremely fair character, was absent in the title, but did not even more important than the main character, but did not remain in the end). The viewer, beginning his acquaintance with this project on Kinopoisk, probably noticed that after the third ' Glukhar' the story was not finished, and the roads of the characters will diverge, and separately from each other will follow for three more seasons ' Karpova' with, in fact, the character Vladislav Kotlyarsky in the main role (who received a rating even higher than that of the source), and ' Friday' with the heroine Victoria Tarasova' with the heroine, a similar spin-desk, with a similar to the novice. But nothing is said anywhere for reasonable purposes about the main character: what will become of Sergei, with his friend - a former police officer, with a young opera - the son of a murdered honest oligarch, and with two boobs - the laughing stock of the department, sometimes surprising with their hit at the right time in the right place. Starting the viewing of the third season, we can immediately assume that they will survive in the new ' kneads' definitely not all, and there is a suspicion that the favorite of the viewer with a bird's name risks dying in the final under some fatal circumstances; and the character with a fish name, judging by the description to the spin-off dedicated to him, will eventually lose his wolf flair and caution and commit a furious massacre of some scum... There may be a lot of assumptions here, but the authors took all this into account and prepared for us shocking, unforeseen, but quite plausible events, because of which the series received its fame and recognition in the veracity of its script.
So, the main character continues to live in a civil marriage with his boss, who is forced to put up with the activities of her other subordinate, who managed, with the rank of lieutenant colonel, to earn the position of the head of the police mafia and subjugate the entire commercial structure of the district, robbing everyone who is on ' his land' Glukharev's friend is also in a civil marriage with a former prostitute who managed to find a noble job - but Antoshin is not sure that he needs a family, in addition, he catches himself becoming inadequate in a state of intoxication; and Nastya faces a problem ' popular fame' which came as a result of many years of practice on the panel, and this can prevent her from getting an education and a prestigious job. Kolya Tarasov is forced to investigate the murder of his oligarch father, in which some of the most influential countries are involved.39 After warm-up from the first four episodes with isolated, but powerful situations, the first story chain of several episodes will show the investigation of the disappearance of children and the discovery of the cut corpses of homeless people, which will lead to the trace of the most inhuman business; and one of the longest chains will be an adventure arranged to expose the people responsible for the death of Tarasov Sr., and out of control, arranging for Antoshin a real spy novel - in the role of the most inhuman business; and the rest of the actor with the devil's eyes. As in the first two seasons, in the series often goes off the scales abundance of sparkling humor, and especially distinguished by this ' May Day' series parodying films on the topic of infection of the building virus. The character of Karpov, uncertain in terms of the position of good or evil, will be revealed towards the end from one side - and this will be associated with Glukharev's actions and arguments about the essence of the police structure in Russia. It is worth noting that, with an abundance of ' blacks', there is absolutely no abnormality in the series, and the project should be recognized as significant for the younger generation, because it is known that many hot boys, having seen ' Men's' series, decide to enter law school to catch bandits themselves: the impressive realism of the events shown is able to open the eyes ' Young people' on the true state of affairs in this area. The series was loved not only by men of pre-retirement age (erroneous stereotype) - the work deserves the attention of the viewer of all ages from 16 years old, who cares about life criminal situations, shown on the example of Russian realities.
10 out of 10
Class so in the second or third I loved to watch one of the first ' Men's ' TV series - ' Streets of Broken Lanterns'. Then it seemed that this is an extremely exciting film with a raucous plot and cool characters: the opera unravels crimes, and from various heads of the Criminal Code of the Russian Federation, shoot, run, fight, expose criminals and their sympathizers. Well, for a child/teenager, action is just that. But 'Deaf' bribes quite another.
As I get older, I love realism in art (film, literature), even naturalism (in moderation). It becomes interesting to observe not at all the mythical super-beings that do not get tired, do not get sick, do not fear, do not doubt (and do not even sweat, and, sorry, do not visit the toilet, probably), but go ahead to their goal (which is always service to absolute Good) and everything negative, hostile to their faces pales.
Nope. I wish I had ordinary people. If I want heroism, I'll include some classics from the 1980s and 1990s. And our cops - here they are, as in the palm of the hand, in this series (the language hardly turns to call ' Deaf' ' series', so good work, with a soul invested in it). They're not supermen, they're not robocops. They are the same as us, ordinary citizens, only with extremely difficult, but so necessary work (and let other comrades yell that all cops are goats, it is better even to work on the panel than in the police - if you are in trouble, where will you run, is not there?) and, as a result, a somewhat specific attitude.
Yes, they take bribes, but most often not even for themselves (I do not remember that the characters in at least one series flaunted in haute couture suits with a bottle of collectible poil in their hands), but for loved ones (Sergei Glukharev has a retired mother with arthritis, Stas Karpov has a nephew, in fact an orphan with a half-rottened mother-addict). Otherwise, how to live on 13 thousand rubles a month? However, there is a limit to everything: they will not take a penny from a very frank bastard, even if they starve to death. They will not hint at 'help' and poor pensioner or unemployed single mother.
Yes, they can use physical force. But what if a person shows outright disrespect and contempt for everyone around him in the most inappropriate way? How if some bastard does not understand the words and openly says that there is little evidence and no one will do anything to him, and he will still continue to walk free and do evil? (analogy: remember Gleb Zheglov from & #39; The meeting place can not be changed & #39;, who threw a purse to Brick. And their heated argument with Sharapov on the topic 'Is such an action worthy of an MUR employee?'. If not worthy, it is permissible. The thief, especially not the one who stole once out of stupidity, but determined with his 'course' will not play with the other side of the barricades by the rules, so what is the point of playing by the rules with him?
So, back to our sheep, that is, the heroes of the film 'Deaf'.
Sergey Glukharev (M. Averin) - captain (later major), the central character. Quite a grasping, experienced investigator of the police Department “Pyatnitsky”, although a little childish. Optimist. Not without some charm. In many ways it is important.
Denis Antoshin (D. Rozhkov) - senior lieutenant, in the first season an employee of the traffic police, then - an operative of the police department "Pyatnitsky". To be honest, I didn't like it. Yeah, he's a good friend. I'm also principled somewhere. But this is his love for a crusty prostitute (not disfigured by the intellect of a woman with claims and inflated self-esteem), a touch of contempt for women in general (one of his phrase “Yes, women are often fools” is worth it, although he himself is not very shiny of erudition, what wonder then that some fools are caught)... I don’t like such men in life, so maybe the character is generally repulsive, although, of course, he has positive aspects.
Stas Karpov (V. Kotlyarsky) - lieutenant colonel, head of the Criminal Police Service in Friday. The most controversial character (I will not be original in my assessment). He can be treated in different ways, and yet, he deserves respect (with the exception of the last episode of the 3rd season, here in connection with the current events in the Interior Ministry, the scriptwriters clearly wised up). Principle and honesty are his main goal. Always stand up for his own, always pointing a brazen scoundrel in his place. It's very logical ... and yet unpredictable. Hidden, but understandable. It is a pity that we were not told about his childhood, youth, this is an extremely important stage in the formation of the personality. If something else is known about Glukhar and Antoshin, then there is simply curiosity: what Stas had to experience, feel, learn before becoming the way we saw him?
Kola Tarasov (V. Feklistov) - student-practice, then lieutenant, then senior lieutenant, investigator of "Pyatnitsky". The youngest of all cops, a little rash. Maximalist. At first he suffered from idealism, which the service in the organs slowly etched out of him.
Of the female characters liked Irina Zimina (V. Tarasova), the astute and intelligent boss of "Pyatnitsky" and a companion of Glukharev's life, and Marina (M. Rasskazova) - Glukharev's sister and a girl Koli Tarasova.
What else can I say? The actors all played on top five with a fat plus (only performers of episodic roles, used to overplay). It is also worth noting the work of the cameraman, the work of artists on the interior (I myself went through practice in a manner similar to that of the furnished police station - no plastic windows and licked cabinets).
The only thing I would fix would be to cut back on the huge amount of background music in the film. It gives too strong an effect of artisticity to the work, more realistic, although it is already quite a lot.
9 out of 10
After the first two seasons, "The Deaf" has changed a lot. This is no longer the favorite series, where the main theme was simple everyday situations, and the main feature was the appearance of any villain. The third season of “Deaf Man” is no longer what a fairy tale is, just the plot is filled with some unnecessary romanticism, and most importantly it is the unreality of events.
The plot of the series can be divided into three parts. The first is Glukharev’s new love, he saved her son and is ready to give up work for her, Zimena and the whole past life, but no evil fate has separated them. This is the strongest part of the series, where the hero realizes that he is forever doomed to be alone. The second side is again a story related to the murder of Father Nikolai Tarasov. The third and most unpredictable is the introduction of Denis Antoshin into the gang of Moscow authorities. Glukharev himself is sidelined, of course, he helps friends in a difficult moment, but without a doubt we can say one thing that the third season, turned out to be a poorly thought out action movie in which Denis Rozhkov turned into some Rambo.
I’m not saying that “Return” was worse than other seasons, no, it’s not. The series also has beautiful characters, and even humor has not gone anywhere. The standard Russian action movie, where empty talk about friendship and love ends when the main character understands that he must remain a man even in the service of the law.