The last role of an actress. . . Not being an ardent fan of Azerbaijani cinema, I decided to watch this creation on the advice of a friend. And looking ahead, I note that I did not regret the time spent.
The film turned out to be a crime thriller with a presence of mysticism and mystery and perhaps even some hidden meaning. This picture is based on the novel of the same name by Ilgar Fehmi and tells about the fate of a young woman whose complex psychological state leads to a series of related murders.
So, let’s start with the main character – Lala Fatalieva, because her role in the film liked and remembered the most. A young aspiring actress marries a successful businessman, thereby losing her profession. The heroine is a very complex, multifaceted and quite strong personality. A person who was deprived of dreams, deprived of his beloved profession and as a result deprived of any sense of further existence. . .
But the character of Ilham Huseynov, the writer Rufat, who lives next door to the main characters, is a person about nothing. Neither his logic, nor his goals, nor his motives, nor his role leaves much to be desired. Well, a very banal narration of the diary of this writer, and the words that broke out when admiring the girl on the balcony did not like at all: 'O, men ve leysan. Bu nagildan bashga ne gozel ola bilerdi?' ('She, me and the downpour). What could have been better than that? 39. There is only one conclusion: it is not worth climbing into someone else’s family in principle, and it does not matter that his intentions were very, very noble.
But it is definitely worth watching the film in order to appreciate modern Azerbaijani cinema.
P.S.
If a person has wings, then in any case you can not forbid him to fly, but you must certainly give the opportunity to any person to soar to his dreams!!
8 out of 10
