It's a long movie. Well, it's a lot for this story 20 episodes.
Although, looking at the modern character Seo Ji Sopa, it seems that this time is not enough to become a decent person.
The plot is not new, the princess from the past is transferred to our time, we observe her adventures here, attempts to master a new world for her, and of course, love, love.
If you do not really like historical dramas (for example, I am not an amateur), then do not be afraid, since the end of the second series, the action is transferred to the modern world.
I like the characters in general.
Fujiwara is very good and trustworthy. The final decision of the princess regarding him pleased, I agree with him, although I am not sure that would do the same. But the character turned out to be convincing and very alive. Humanly alive, he has his flaws, he can make mistakes, he can do wrong. I am very fond of him, both at the beginning and at the end. But the feeling is completely different.
Its ancient prototype is much more difficult to perceive, but at the same time it is well understood. The time was different then.
I really liked the scene when Fujiwara picks up books in his office before finding a portrait of the princess. Living conditions dictate a lot. In violent times, one must think of revenge and survival. In a world favorable to you, you can read books, go to parties and live for your own pleasure.
The princess is a sweet, beautiful girl. Many misunderstandings about the modern world have been solved, perhaps incompletely, but with certainty. At first it seemed strange to me that she had settled quietly at Fujiwara’s, accepted his gifts, etc. Then I thought that for the princess, perhaps, this standard of living is perceived as habitual, and the fact that everyone is brought and pleasing to her is normal.
Owner of a nightclub -- that's what I've been rewinding, a boring line for me. It’s a good idea, but it’s not interesting.
And finally, Kang In Chul. Seo G-Sop, as always, is amazing. A hero is a hero. And if nothing, then nothing. Both roles were played so convincingly that for a long time I was extremely disgusted with Ying Chol. I didn't think he would ever change my mind. And while I still think the princess's love for Ying Chol is just a projection of her love for Ari, I ended up feeling warm for him too.
I really liked the young Lee Song Kyung as the second designer. Although the design line itself is not very spelled out, I would really like to look at some interesting costumes, and from the designers themselves I wanted more extravagant images.
What I didn’t like was the incompleteness of many secondary storylines. And although it also turns out to be more vital (well, where have you seen everyone’s fate develop simultaneously, as it usually happens in dramas?), but still strange.
I would also like a more rosy ending, but the way it ends is probably more logical.
The resume is not a masterpiece, but you can see it. It's very funny in places.