She lives her quiet, prosperous and boring life, happily aging. He has a wife, a daughter and an inertia family, in which emotional impulses have almost died out and which cannot be saved, even if you buy a new dog, trying to somehow re-establish a long-lost communication. But there was violence, and it seems to be his fault.
Actually, this is the whole plot of the film. Do not believe her descriptions on various sites that turn it into an almost action-packed thriller. Before us is a viscous art-house film, shot with the expectation of festival encouragement. In such tapes, there is no installation on the event as a screen focus, a visual trick. People live their lives, cherish their unconscious, which can push and crime, but the point of convergence of events is beyond timekeeping. Therefore, such films are difficult to impute genre. What is it? Psychological drama? But no action, no trajectory of the characters corresponds to it. The director is much more important than the false effect of “believe blue”, but, however, after the Dardenne brothers, whose characters are liminal and therefore still capable of generating events, we see a film about the middle class extinction of the will to live. You can sluggishly engage in self-satisfaction under the online broadcast of a young lady, you can just lie on the bed and experience the passed youth, you can simply multiply the components of the heroes, the amount will not change.
This film is less about rape and crime. It presents heroes thrown into adulthood and thus as if initially punished to live “forever” as they live. It can not be said that this is depicted as successfully as possible, but some curiosity - once again to see how there is a lack of communication among small consumerists - the tape is not without.
6 out of 10