Relatives Duarte, a vile scoundrel, set up a lucrative business somewhere on the border with Brazil, exchanging human lives for banknotes. In his assistants, he had a moronic high schooler, Danielito, who would do anything a slippery moron would say without stepping without his permission, even if it involved his mother's request to visit a cemetery bump. The more fatal is the consent given to them, which lifted the veil over the family secret that broke the folding plan of the killer, who was not soon bitten by the bait of a crook Javier, thinking to outplay that still cunning.
The turning point of this thriller is the excavated grave with infant remains, to which the mother comes, telling her son about the deceased brother, and the story that sowed confusion in the soul of Danielito determined the miscalculation of Duarte, who played with the values of blood kinship, believing that others would follow. And the main hero of the story, in fairness, becomes a retarded young man, unexpectedly coming to his senses.
For almost all participants in this story, the guiding motive is one or another transaction, often criminal, at least immoral, where money is the subject of bargaining, and someone’s life is at stake. Nobody is sympathetic here, and it seems that they all deserve hellfire, but the director has his own opinion on this matter, concluded in the close look of Danielito, with whom Alian Devetak drills a wall of darkness, no, not outside, but inside himself.
This is not brilliant, but there is a rather interesting value story about a personal conflict, with a controversial character, repulsive externally and internally, who remains the main victim of the Demon, and not other unfortunates whom he frowned or died. Interesting is the motive of resistance, the reason for the uprising, morality, directorial philosophy and, of course, its representation, which shows a kind of handwriting of the director and camera equipment that withstands the rhythm where everything seems to be woven from pauses, and even a painted villain can not prevent a deaf struggle from breaking into a real drama.