Sometimes to prevent a tragedy, you just need to look at the person in the face. But we all look only at phones, tablets and computers, and like, repost and comment... (Hearsayer's workdays)
I wouldn’t say this Mahesh movie was once again a disappointment... but I expected a lot more from him! For director Murugadoss (talented) and claims that, after Bahubali, this is the largest project, it is a complete kobzdzd. What has been said about spies and intelligence? Personally, I have all this action language does not turn to call a spy thriller. Somehow it was weakly connected with intelligence, the main character Shiva was engaged in the fact that as a schoolboy, he listened to ALL telephone conversations in the state (and perhaps throughout India) for the purpose of solving crimes by alarming words (terrorism, bomb, murder, etc.). And Shiva (as is typical of Mahesh in all his recent films, imagined himself a superhero, almost God, and began not to solve, but to prevent crimes). I mean, imagine a criminal lying in a slum somewhere, planning his own terrible crime, and our Shiva is already in school. That's what technology has come to! ("It wasn't the technique that got here, it was me who got here by skiing!) (C) )
I have no complaints about Mahesh himself, nothing. He is handsome, as always, recently watched his first films, what is here, what is there – there is no change at all. Probably sleeps in cryovanna and eats only lotus flowers or what they eat there to preserve youth. I have a claim on the script. This is crazy. Even at the beginning there was intrigue, it was interesting, but, as always, they slipped into a fool at the end, although at the end Mahesh played out and read the final monologue with pathos, but all this against such a “cardboard” background of devastation that even ashamed of those who painted their special effects. In “Spider-Man”, shot by God knows how long ago, special effects are not an example of better. Here - all solid cartoons, and somehow begs the question - where is the declared grandeur and scale of the action? Where is she?
Yeah, we got Rakul Preet Singh again. I can't see her anymore. In my opinion, she is stuck in history, only to “do not violate reporting” – the hero does not need her for a damn, the whole film with an idiotic smile to his ears – it does not matter whether the hero is pierced through the iron bars, or just collapsed in front of the crowd the whole building of the city hospital. You fool.
But one of the main advantages is the head villain Sudalaya! I see this comrade Surya J. (not the one who Shivakumar, but quite another) not in the first film, and I want to note that he plays five-plus scoundrels and all sorts of scumbags. Here he is just an excellent psycho, perfectly fit into the role, one of his ways to recline his hair and keep his head what is worth. There is a broken psyche (and how, the boy was born in the cemetery, crying for the dead, and he always needs “doping” in the form of crying and lamentations), such, of course, must be treated or kept in prison, but this particular chela wanted to strangle himself – such a nasty type! He was sick, but he planned his crimes like a gas station spy. In general, all the way Shiva and Sudalaya were measuring ... er, their intellectual abilities, and, as usual, good won. But it is worth watching the movie because of the villain’s heads. Too bad! Not like Mahesh, but in his own way.
In fact, only the victims of the villain were pitiful during the viewing, and Mahesh is unrealistically cute and cool, as, indeed, he always is. I was expecting more...
9 out of 10
