The Indians decided to make their epic crime saga about climbing to the heights of the criminal world of an ordinary boy from the slums. And, I must say, it turned out large-scale and monumental. Director Prashantha Neal, I think, with confidence can be called the most pompous Indian director, who elevated the signature epic of slow-mo in a concentrated absolute, because so much of this envy Bay and Snyder combined. Because of this, the first part, in fact, the backstory of the character, looks somewhat heavy and cumbersome because there are not much action scenes as such, but they are well staged, although in places quite simple, and the usual non-battle scenes, abundantly served in slowdown plus a picture with gray and brown filters, are perceived with unaccustomed heavy. The story “from dirt to bosses” is classic, but, nevertheless, interesting, and the director’s attention is riveting, although the pre-final segment in the mines could be slightly reduced. The actors are all in texture and the ensemble here is well-coordinated and pleasant to the eye. The prelude to the main action is removed well and looks with interest.
8 out of 10