Dear versus church “Woman” I began to watch and quit – somehow everything looked boring and ridiculous in it. Therefore, I will review “Honey” without looking back.
At first, the film easily kept me at the screen, this was facilitated by a pleasant, soft picture.
And most of all, the anticipation that happens when you start watching a horror movie ... when, well, when will something happen?
The plot in the film is built in two parallel lines - then we are shown "Honey" - a wild girl, then an adult woman, also without manners.
The plot line of the dear is quite banal - the hospital, wild deeds, getting used to one of the employees, the appearance of "good" churchmen and more.
I would mention the minus, which caught my eye very much - this cardboard game of savage from the main character.
Then move on to the adult wild woman - she doesn't shine either. Perhaps there was no such task. But just smearing black, walking barefoot and moaning instead of words - well, so the image.
Some horror elements are already emerging here - she's quite adept at planting knives and teeth into people.
Now we're going to the shelter. There's a point that I don't quite understand. The rector of the orphanage is not a good man. Is that what it is? A tribute to fashion? Some personal message from a female director, or just a bad abbot? Maybe it's real? - Maybe. Is that a plot necessity? - I'm not sure.
Life in the orphanage at the church is like a tracing from other paintings. Here lit up, not by chance, I think, Nora-Jane Noon, who played in a wonderful film on the theme of the women’s shelter at the church – “Sisters Magdalene” – it all looked organic.
The climax of the picture is unlikely to surprise anyone.
I want to note that I liked it: it is a surprisingly easy, live game of girls who lived in the shelter with the main character. I wouldn’t be surprised if some of them succeed in their careers. . .