Success is not a goal! Success is a journey! . When you just run after money, it will always run ahead of you, and when you run ahead of everyone, money will run after you. . . (And the same checkered shirt in all variations!) << /i>
Look, this is the second Makhesh film in recent times, which causes me only one feeling - awe. It's not even admiration, no. It's kind of a wild delight at how, well, sunny Prince Mahesh can do that. Maybe when he wants to. . . I just want to fall on my face with my hands humbly folded over my head and lie down. What, in fact, the people did in front of Mahesh Babu all the way. It's not a movie. This is a journey through the life of a boy, Rishi, whose father took out a loan for his education, and never gave it away. There was nothing to give. Rishi did not respect his father for his poverty, weak character, unreasonable optimism, and most importantly for the fact that his father was a loser. Nothing, from Rishi's point of view, was achieved. But Rishi did. So much ambition, so much aspiration! Rishi is a collective image of all young people, as if under a blueprint stamped, who do not even have money in their eyes - but success. Success is their God, this is their religion. Do you think there are no such Rishis in Russia? Full. On different scales, they are full. They deny their fathers, their mothers (well, this is a last resort, but this happens), overstep their friends, go over their heads - to have time. . . We did. Then what? Is there life after success? . . .
The movie is very lifelike. Politics there is little, in contrast to the same 'Visions of Bharata' there are more personal relationships and experiences. I won’t spoil it, the movie is worth watching. Many problems have been raised - and the problem of the relationship between fathers and children, and the relationship of friends, and a girl with a guy. In fact, that's where it all started. And ended - as they say: 'In the garden elder, and in Kiev uncle' - the problem of farming in India. Where's the connection, you ask? And no matter what he knows, they sorted it out so that it seems that this connection exists, although ask me to describe it, I can not. Somehow in the script, it all fit together. Typical Indian logic, where without it. A billionaire from the United States returns to his loser friend in the Indian outback to make up for his guilt, which is not at all the fault, since the friend sacrificed himself to the friendship. But successful Rishi gnaws at the whole situation, and he deploys such a stormy activity in a small village aimed at preserving land for farmers ... in short, there the past is closely intertwined with the present, friendship with ambition, farmers with billionaires. But it was great. I really liked Allari Naresh, playing Ravi, that loser friend. I've never seen this actor before, maybe in some episodic roles. Very impressed. I was impressed by Prakash Raj as his father, but this is not his first film with Mahesh where he plays his father. He always plays either dads, or scoundrels-politicians, or scoundrels of politicians who are also the fathers of the main characters. Puja Hegde this time did not annoy at all, and in some places she was even sorry. The girl counted on a great and bright love to the grave, and she was so ... sailed and abandoned, as they say. She chose her career, which I think is even worse. In short, the whole team gave 200% and it turned out a worthy movie, despite the wild Indian logic, with a super old Mahesh, who looks like a picture here (still, I think this is the merit of plastic surgeons, but if so, they are great artisans), with a semantic load - important problems for Indian society, emotional - I sobbed twice over what happened on the screen, the music - the songs are melodic. Telugi this time did not screw up, and gave a quality product, which I recommend everyone to see. I really enjoyed it.
10 out of 10