The film tells us where Russian rock came from. This is a great documentary, when eyewitnesses of the birth of Russian rock talk about their time. The documentary is great, and the feature film “Summer” is simply chic. Director Kirill Serebrennikov is good, which pulls everything possible from the project “Summer”. Producers and director Serebrennikov did well for making the film “Summer” and creating a documentary about that time. I really liked what Artemy Troitsky said about that era, about where Russian rock came from.
Russian rock was formed thanks to Boris Grebenshchikov and Mike Naumenko. The rest rest rested on these pillars of Russian rock. Seva Novgorodtsev correctly says: "Russian rock should not be compared with Western: it has its own current, its own mood." The characters of the film lived in the 1980s and the spirit of that time was chicly conveyed in the feature film Summer. This documentary tells that Russian rock was formed and formed as a separate subculture after the opening of the Leningrad rock club.
Artemy Troitsky says, “Now there is freedom, but nothing pleases.” Then the rock clamped, but I wanted to sing, create, record. That’s because in the 1990s and zeros Russian rock was defeated. Therefore, nothing is happy now.” Artemy Troitsky brilliantly tells about Russian rock, mixing music, politics, time and era. I liked Artemy Troitsky the most in this documentary. He draws brilliant conclusions and draws interesting parallels.
Andrey Tropillo interestingly tells how he made records of Russian rock musicians. The whole film is a narrative about those times, about those golden 1980s. In the eighties, Russian rock was born, but the film participants tell and remove the veil of myths from Soviet rock
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10 out of 10