Who are we now? and who are we now? Polish military leader and anti-fascist Stanislaw Jankowski once said: “Old age is binoculars to the past, and youth is a microscope to the future.” Most marriages are made at a young age, when blood is boiling, desires overwhelm the mind and it seems as if the whole world is at your feet. It's a wonderful intoxicating feeling! Does anyone at this age care about the opinions of others? Not at all! Because every couple who wants to start a family thinks, "Well, it's going to be different." It will. It will certainly be, but only after the young pass the “fire, water and copper pipes” of the family encyclopedia entitled: “To understand, understand and once again understand the one you love.”
Look around, stranger. I know your look is incorruptible. Maybe I'm younger, but we don't always recognize ourselves.
Both director Grigory Lipshitz and screenwriter Felix Mironer perfectly understood what kind of movie you need to shoot to make it interesting and instructive. For youth, especially for students, everyday life is not a routine at all, but a constant opportunity for humor, jokes, fun. So, the picture should be with bright comedic situations and characters. With instruction, however, one must be careful, because no one likes moralizing. In order for the author’s message to become absolutely clear, it is necessary to convey it by visual means, and not by moralizing a “smart” character. It is for this reason that "the smartest & #39; the character - graduate student Anton (Gennady Yalovych) - is at the same time the funniest."
We were greeted by all the flowers on the roads of the Earth. We forgave friends for mistakes, but we could not forgive betrayals.
Anton owns a whole mass of “verbal pearls”, which are easy to remember, and add new shades to the character: “You have tied yourself up with ties that will not be easy to untie!”, “Marriage in general is an illogical and unpromising phenomenon!”, “Isaac Newton brought his Third Law on the back of the chair!” Youth is straightforward and uncompromising. She does not tolerate halftones - either white or black. It is from here that all the quarrels and misunderstandings of young couples originate. And here the creators of the picture found a very correct solution: they deliberately downgraded the importance of the conflicts between Galya (Alla Chernov) and Sergey (Valery Babyatinsky). After all, it is quite obvious to the viewer that these conflicts are not worth a fucked-up egg. Unfortunately, this is exactly what happens in real life - a trifle, a trifle, an unwashed plate, an abandoned slipper can cause a flash, and there ...
We have already played the first half and only managed to understand one thing: so that you do not lose yourself on Earth, try not to lose yourself.
The young ones have not yet “spoiled” each other. The individuality of both can cause a high voltage current during emotional contact. And here the main thing is to find common ground, which the director did before the final. It was very subtle and professional. Therefore, the overall impression of the film is a talented work. Youth itself is beautiful, and in the frame of soulful songs becomes a real jewel: Love is an evening by a quiet river, and the city throws lights at it. Love is the knocking of heels until morning, and everything is different from yesterday. Love means holding your hand carefully. It means going and just being quiet. Of course, it's more interesting to keep quiet about something yours and something yours.
In the heavens, the lights are burnt and in the hearts a storm subsides. Do not forget our favorite faces, do not forget our native eyes. ("How young we were" by Alexander Pakhmutov and Nikolai Dobronravov)