A film with branched storylines obeying a single plan. Detective and social drama "Truth" (Mei) is a new film on a topical topic. Abduction of people for illegal organ transplants is the subject of many Indian paintings.
A film with branched storylines, subject to a single plan - to show a broad picture of the criminal business. And individual episodes with different characters will soon form a single main story, all the characters will meet and begin to jointly look for a way out of the criminal deadlock. I love these pictures.
A young nurse from the Gaurava Hospital has disappeared. The leadership is not looking for her, and the police mock the inconsolable father as soon as they can.
The girl, brave and active, is a pharmaceutical representative offering medicines to doctors. She is an orphan, lives in a dormitory and does not pass by the hurt and suffering. This is how she meets Narmada’s father.
A young doctor who came from the United States is experiencing a deep stress associated with the death of his mother. He works at his uncle's pharmacy and treats the local poor for free. This is how he gets acquainted with Morning...
When Abinav saves a friend on the street from the death of his acquaintance, he is placed in the Gaurava hospital. There he suddenly dies, and is accused of it. When a guy tries to prove his innocence and understand the causes of death of a friend, he is almost killed by bandits. Abinav and Utrol begin their own investigation into the Gaurava Hospital. It turns out that there have long been a sudden death of patients who are recovering. Recently, two people disappeared: Narmada and her boyfriend.
At the same time, an honest and respected police inspector, Mutu Krishnan, is recovering from a combat wound at home. He almost died from a bullet and had a heart transplant at the Gauravi Hospital. After civil protests over the disappearance, the authorities ask Krishnan to go to work and investigate the case. The inspector begins with the missing nurse Narmada.
In addition to the criminal and social component, there is a strong moral problem in the picture. It is formulated by the lips of a criminal doctor: how to choose who to treat and who to kill for this? Is it moral to save a worthy person at the cost of the lives of ordinary, unremarkable people? What about your own relatives who paid for your salvation at the cost of someone else’s life? Heroes will have to reach the truth, or rather, determine it for themselves. Honest, positive characters will not be easy, unlike killer doctors and criminals with the police in their service.
The film is beautifully shot, pleasant views of the big city, but what is unclear.
I liked the performance of some actors. I love Kishora, although he plays the same everywhere. Here he is thin and emaciated, strictly in the role of recovering. Of course he doesn’t smile.
I also liked Aishwarya Rajesh in the role of Utra. Somehow she managed not to look like a complete idiot, as often happens with female roles in y-and films. I can’t say anything about N. Sundarama, because he plays in no way and leaves no impressions about himself. Stupid heroes, as they like in y-and paintings, there are also, there is nothing to do with it.
The film made a good impression, although it is not everywhere smooth, empty and unnecessary scenes. But it can not be called stupid: the theme, idea, plot and form attract attention, mine attracted. I sympathized with the heroes, followed the intrigue with interest. I wanted to watch until the end, and I didn’t think, “I wish everyone had been killed sooner!”, as is often the case with cinema, and not only in India.