The anime grandfather explains. At some point, I realized I was hungry for culture. Domestic cinema rolled into the abyss, foreign rolled into superheroes and “real events”.
Then I noticed the animation. Ren and Stimpy, Gravity Falls, Princess Asterisk, Greetings to the Planets... A huge number of cartoons, which in their depth, semantic load, intensity of passions will be plugged into the belt of Santa Barbara, wiping their feet about just Maria. From the edge of my ear, I heard about the growing popularity of onime culture (I write so specifically). As an educated person, I did not listen to the opinions of others or adepts, I tried it myself and drew conclusions. I have about 1,000 titles on my shoulders. At the same time, I never held a comic book in my hands, after 12 years, pictures with inscriptions lost my attention. If anyone is interested, 98% of Japanese content is garbage, and extremely negatively affecting the psychological health of minors who consume this thrash content with the silent figment of their parents. But this is Japan, a country where everything is upside down. At the same time, there is no doubt that Japanese authors and directors are the best at conveying feelings and emotions to the viewer. I could give a little lecture, why this happened, but does anyone care?
Peach boy many flip through purely because of the name, smells of school, everyday, a virgin boy, who everything is easy except sissy writing, and who wants a bunch of beautiful, early formed in the area above the waist girls.
The name is not accidental, but you will be able to understand it only at the end of the season, and, frankly, it was worth it.
Scenes of idyllic and soulful conversations of the main and secondary characters contrast sharply with scenes of extreme cruelty. Yes, this world is beautiful, but it has its own rules and laws. What seems cruel to us, within the framework of the world being shown, is a given that does not care at all about your attitude towards it. You either accept the rules of the game and live by them, or you die and don't shine. Yes, hero and villain motives are primitive, but this is the norm for onime. But the author managed from a pile of cliches to collect a plot that causes empathy, despite its banality. The fact is that there is no hypertrophied pathos, evil-evil and heroic heroes. Arifuert comes to mind for comparison, or maybe I'll meet you in the dungeon. The hero is not going to save the world from evil, not against everything bad and for everything good. He thinks first, then does, guided by his global goal, but not putting him at the head of his actions. The peach boy is logical. At the end of the season, there are no questions to the plot or actions of individual characters (except for the Glavgad, which started this stinky is not yet clear, but this is a common intrigue for the next season, competently decorated).
I’m not going to cheat my soul, I probably know where everything is going (I repeat, I don’t read comics). But this is not because the plot is predictable, after all, 38 years behind my shoulders, I draw from experience. But if in most cases I, having realized what awaits me at the end, boil after a couple of episodes, then this did not happen. Because here are so well shown the feelings and motives that guide the characters and characters that you look purely because it is now a rarity.
In short, gentlemen and ladies who miss evenings, deprived of the opportunity to spend their hard-earned money on favorite games or things. Here the content for 5 hours of viewing, you can with a girl, or with a guy, maybe at the end you even fall (I - guys). Don’t miss the moment to lose your virginity. It's time, 20+ years, and everything blushes. Good day, everyone.