Is luck a reward for courage? What's wrong with prosecutor Chin John? Unless because of the habit of contradicting your superiors and climbing where it is not necessary in a naive desire to equalize everyone before the law, including those who are unattainable for justice of the powerful of this world, risking your workplace and even your own head, neglecting inequality with a cruel opponent, simple-heartedly brewing a fabulous mess of intrigues, chasing and fighting with bandits and power lovers, where insolence is the second happiness, and cunning above all.
Such madmen do not live long, but Chin John is holding on with all his strength, because, having reliable friends, he is also attached to a miracle, thereby avoiding an imminent end, when the investigation of a high-profile murder intersects with his personal history, spurring the main character’s obsession to achieve the truth at any cost, believing in his immortality.
Lively, cheerful and creepy like crazy: a desperate prosecutor fights one against all, wielding tricks, fists and a wooden sword, catching up with any opponent with an arrow of thought - a fabulous hooligan with protruding hair, as if he was struck by a lightning bolt - an idealist who embodies an inexhaustible dream of a perfect world or, perhaps, an inevitable retribution to villains for their vile deeds, from which arises a bubbling irony careless criminal and detective comedy.
Before Gen-su, as befits a professional showman, surrounded by excellent assistants, including a charming dog, easily creates a bright, almost circus show, born of the rich imagination of the screenwriter (Lim Yong-bin), quenching the original faith in all good, imagining life as a stormy sleep of a dozed prosecutor, in which the pain of losses is erased by the irrepressible fury of revenge, where bypassing the impenetrable labyrinths of logic, an adult boy, without wisdom, goes ahead.